It was really important that it never stopped doing that because if it had, all the tension between that external realm of constriction of history, and that pulsing force of the language and the music would've disappeared, right?” On the outside, I wanted this to look and feel and operate like a completely accurate period piece.
“But on the outside, she's wearing the corset, her dress looks perfect-same as our production design, set design, means of transport, presence of technology. The music, which lives inside of these characters, is like the force of modernity rippling through them, the way in which Emily's consciousness does not fit into the expectations and norms of the society around her,” explains Alena Smith, Dickinson’s writer and creator. “The most basic way of breaking it down is to think about the costumes and the music as being these two opposing forces.
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